Anathallo interview

Anathallo’s latest album Floating World is one of my most treasured albums and being the nice guys (and gal) they are, they decided to let me interview multi-talented band member Andrew Dost.

Currently touring the U.S and Canada, Anathallo have been very busy, so I count myself lucky for the opportunity. Thanks man! 

Thank you for interviewing me!

You guys have a very “pretty” sound going on, I can often imagine you all holding hands and sitting around a family dinner whilst singing haha. 

That actually isn’t too far from the truth sometimes. Most of the band just moved to Chicago, and they’ve been having lots of pot-lucks and themed parties, so I think that’s pretty accurate. We definitely have our disagreements like any band, but things are the most fun, and creatively stimulating, when it feels like we’re a big family, so we try to nurture that atmosphere.

Ha, actually in all seriousness you have such a unique sound on the newest album. For a group with eight core members the creative process must be somewhat hectic, tell us about how you guys operate as a band. How does everything work as far as songwriting and coming up with such creative ideas?

It’s a pretty complex process, and one that I’d say is based more on relationships than on musical ideas. With so many people, with so many different ideas about where a song should go, a lot of the process is communication. We talk about everything, even ridiculous tiny details that we probably shouldn’t waste time with. But that’s the fun of it - everyone shares, we all throw ideas in, then we weed through and edit until we have something we can all agree on, something we all believe in and want to play night after night.

Novembre interview

Novembre has always been a special band. From arctic landscapes to scorching deserts, the Italian four piece manage to convey an amazing sense of atmosphere without resorting to any of the dramatic cheesiness of a cliche metal band.

Firstly Carmelo, congratulations on another quality release.

Thanks a lot mate!

Was there a specific concept or idea you guys had in mind when writing songs for The Blue?

Not really. But thinking again, this blue/cobalt picture was always in my mind. Who knows how these things work.

Recently Novembre have been booked for a tour across the UK in support of Paradise Lost, what expectations do you have from the tour and most importantly are you excited!!!?

Absolutely. We are supporting the most important band of the post-Death Metal age, the founders of the Gothic-Doom scene. It’s such an honour for us. They’re A class people, really kind, down to Earth and helpful guys. Killer tour indeed!

Looking Deeper on Cultural Trend Reports

"To see what’s coming, we must respect the bizarre and validate the weird." 

Reddit's Head of Cultural Forecasting Matt Klein says every trend report discovers the same things about the same audiences using the same technology. 

Klein synthesized five years of reports from the top agencies and has found trends within the trends.

Yes, he’s gone full meta.

Matt’s findings were remarkably samey. First-world problems, technology and the emotion of fear have been ongoing themes for the last half-decade. Across thousands of presentations, decks and insights, the internet hive-mind mostly agrees on all things Gen-Z, sustainability, consumption and ChatGPT. 

Luckily there's a way out of the echo chamber. Klein suggests looking to cultural fringes and subtle cultural signals as the solution. 

"Rather than treating these Meta Trends as an accurate forecast, we must now also use them as filters to seek out what’s NOT discussed," he says. 

Subtle forces often shape culture. According to Nassim Taleb's *Black Swan theory, the future always ends up way crazier than we expect because we have a habit of overlooking the things which create the most impactful change. 

Most reports analyse the same type of person. The audiences are Western-centric, well-educated, and tech-savvy. These studies are undertaken by similar agencies with similar employees who have similar commercial goals.  

"All of the trends over the past five years reflect a first-world “developed market” outlook... what we have today are not cultural trends, but one culture's trends," Klein says. 

What would trends look like if more reports focused on overlooked demographics rather than surveying the average Joe and Josephine? How about low-income Gen Z, or the less digitally savvy, the under-educated and the unhealthy? What about trends that aren't informed by tech? 

Learnings from Five Years of Analyzing Hundreds of Trend Reports

Last year's meta report


*I used an asterik there because I’ve tried reading Nassim Taleb's Black Swan book several times, but I always find it just a bit too dense to finish. Three quarters complete is the current record. Congratulations if you’re on 100%.

Melbourne skateboarding project update

In 2020, as I rediscovered skateboarding, I was surprised by the intersection of subulture that was drawn to the sport. I’ve discovered this comes from skating’s unique capacity for individuality and a focus on self-expression. 

Skating seems to draw a certain breed of person who has an individual reason for getting involved in the sport, they come from diverse backgrounds, and they all have a story to tell.   

With that insight in mind, this year’s going to be a little different. Some of my best times being a newbie in skateboarding are the fascinating people I meet. Rather than solely document skateboarding as a visual subculture, I’m going to focus on the tales of these unique people for chapter two of this project. 

I feel most successful when I take someone's photo and they randomly open up to me with a story. It can have something to do with skateboarding or nothing to do with it at all. There just seemsto be something about approaching a stranger with a camera that makes them want to 


What Comes After Social Media, Influencers and Content?

I really enjoyed reading "After The Creator Economy," which is a publication by Berlin research studio co-matter and creative publishing platform Meta Label.

The zine, which you can buy or download for free, explores what the future of the creative economy might look like. It explores sustainable alternatives to how creatives currently publish “content” on platforms owned by other people.

My favourite quote - "The creator carries on the myth of the individual creative genius, more interested in their own influence than in supporting the social and collaborative networks of which they are a part."

Over the course of 50 pages, they analyse and redefine how we create, distribute and monetize creative work. One of the big ideas is publishing content as a “Meta Label,” which is a collection of people with shared interests hosting and controlling the distribution of their own work. Loads to think about, plus it's nicely designed too.

Link here.