Shady Blaze
spits syllables like a Gatling gun and his rapid fire flows have 90s rap fans
reminiscing over smoking sessions to “Thuggish Ruggish Bone.” Despite his close
friendship with fellow Oakland natives Main Attrakionz, Blaze doesn’t just make
cloud-rap or whatever else avid Tumblr users want to call it. Instead the Green Ova
soldier works with a variety of producers to keep his sound in constant
evolution.
His early work (and by early I mean like a year ago) stuck to traditional themes of narcotics, guns and women. But he’s recently touched on NWO conspiracies,
family issues and even flirted with slow rapping like regular humans. Despite
terrible phone reception and my recording software threatening to kill the
interview, we talked about him wanting be a singer, his rap influences,
learning the speed flow technique and meeting Main Attrakionz. He also complimented me on my questions which was the perfect confidence boost for a hung-over
Sunday.
By Jimmy Ness
There isn’t a lot about you on the internet, tell us
about yourself?
Man, I’m from East Oakland, California. I’m 24 year’s old and I’m part of Green
Ova Chapter Five. I’ve been rapping since I was a little kid. Just got serious
with it when I was about 19 because Main Attrakionz really pushed me to keep
doing this and here I am.
Where does your rap name come from?
At first my name was Velocity, because of how fast I was. After that, Shady
Blaze basically came from my friends and the streets. Shady came from
the part of East Oakland I lived in. It was off of 89th Avenue and that was
known as the Shady eighties. I moved from there and basically I was known
as Little Shady. Blaze came from when I used to produce and make hot beats. So
I just put Shady Blaze together when I first created my Twitter, but my rap name at the time was Velocity. Then everyone
just started calling me Shady Blaze so I just went with that.
How did you start rapping?
I’m not going to lie to you, at first I wanted to be a singer. When I was a
little kid I wanted to sing. At the age of 11, I realized I wasn’t good enough
to be a singer. I couldn’t sing for shit. Then when I moved to 89th Avenue
in Oakland, I met a lot of friends there who were really into hip-hop and they
kind of introduced me to it. I started copying them and writing raps and
rapping on the street. We were making little songs on little cassette tapes. We
would play an instrumental on another radio and record to it. We just played it
to everyone and from there I’ve just been rapping ever since.
Did you come from a musical family?
My dad is a singer. He’s got his own studio. I didn’t really know him when I
was little. I didn’t know anything about him. My mom happened to run into him
again and I met him when I was 14 and he had a studio up and he was making his
own music, he was doing shows and all of that. [The father of Shady Blaze is a
traditional R&B singer named Supa Jay]
Who influenced your rapid-fire style?
It’s got to be Bone Thugs N Harmony. But when I first got hooked on rap, I was
listening to a lot of Ca$h Money. Juvenile, BG, Lil Wayne, Young Turk, Big
Tymers. That’s all I listened to.
Then I found a CD in my stepdad’s car and it was Bizzy Bone’s
Heaven’z
Movie. I was just going through it and listening like hmm let me just see
what’s on here. And I listened to “When Thug’s Cry” and I didn’t know the song,
but I recognized it so I listened again. I was like 14 year’s old at the time.
The fast rap just caught me. I was like man this is incredible so I started
listening to his other stuff. I took it to school one day and I’m like “ya’ll
know this guy right here?” and they were like “yeah it’s Bizzy Bone, he’s from
Bone Thugs N Harmony.”
My friends were telling me Bone Thugs N Harmony just dropped a new album
called
BTNHResurrection. So I went to the store fast and picked that
up and became a big BTNH fan. I started buying all their old stuff
Art Of
War,
East 1999, all of it,
Faces Of Death. I’ve got
everything. I just started listening to them and it just spoke to me. But then
their fast rap kind put me on to Tech N9ne and Twista and D-Loc and Dalima and
all those fast rappers. It just started catching me and then I started doing
it.
Did people think you were copying or biting their style when you
started rhyming fast?
I experienced a lot of it. At first it got to me. At first you want to click
everybody that says something and start typing back to them fast and hit them
back up. But at the same time, the deeper you get in the game the more people
are gunna come at you. So you just have to start learning how to accept it, how
to take it. I would just stick to myself.
People can stay he’s biting their style, he’s biting this style. But the
game got to evolve man. They did their thing. They influenced me to do it, and
want to be not like them, but to do music the way they did it. It’s cool to me.
I love doing it. I love their style. I love the way they make their music. It
makes me feel good when I’m making my own, you know what I mean?
How did you learn the fast rapping technique?
That’s crazy you asked that because I’m going to be real. When I first listened
to Bone Thugs N Harmony, I was like they rap so fast! So I never understood
what they were saying at first. But I just loved the way they did their thing
and I started with Bizzy Bone. I had a cassette tape player, so I would record
his CD to a tape. You could play it back and rewind it and slow it down, you
could make it go slower. So I would write down each lyric he would say and as I
would play it back at regular speed I would start rapping with him trying to
see if I could keep up. At first it was hard, but as I started memorizing those
words I started getting it down and I started writing my own fast raps after
that.
You also slow down and rhyme normally on some of your tracks as
well?
To be honest with you, it started in 2011 – when I actually started to rap
fast. Before that I was rapping slow. That’s what is crazy. It all started
because of my homie Squadda B from Main Attrakionz. He hit me up and was like
“there’s a group out there called Children of the Corn and they remind me of
your style.” I guess they were on some fast rap type of stuff. Then the next
day he sent me a beat and I just started rapping fast. When we made the song it
was called “Dirt On My Name.” After that, he just started sending me a bunch of
beats and we made
Shady
Bambino.
It dropped February 2011 on
greenovamusic.bandcamp.com and it was just fast raps on that. That’s what
really put me out there. That’s what really got me noticed, Squadda B’s beats
and the fast raps. So I stuck with it. I didn’t really go back to doing slow
raps. But now and then, yeah I do slow raps. It depends on the beat and how I
feel.
Do you make music full time or work on the side?
Nah, I do music full time. Actually I’m not even really making that much money
to be honest. I’m not doing that many shows, but when you do a show you get
paid this and that. Basically I’m living with my girl to be honest and she’s
paying, she’s paying for the rent, she paying all that. I’m just going from
studio to studio you know what I mean? I’m not working. I’m not doing anything.
I’m just recording.
What do you think of the music scene in the Bay Area?
Right now, there are a lot of different styles in the Bay Area. It’s just our
radio people are getting paid to play just one type of music. There are so many
different styles and so many talented rappers that are not getting known and
not getting looked at because they are coming up from nothing. Like Biggie and
Pac and shit, we are coming from nothing right now but that’s not what the
radio wants to see. They want to see people who have got the money already.
People who have got the money to pay the radio stations to play their music
over and over again. And people who are tying to come up don’t get noticed
because of that. It kinda sucks out here, but that Hyphy shit was cool. That
was a movement. The DJs were playing it all over.
How did you link up with Main Attrakionz?
I had just turned 15 year’s old. They were 12 when I met them. I met them through
a friend. I produced at first, I didn’t rap. I had a keyboard and everything at
my mom’s house in this little garage. One of my friends hit me up and was like
“there are these two kids and they are dope at rapping, we are going to bring
them over.” We went over there to pick them up and it was Squadda and Mondre.
We came up with the name Main Attrakionz. We were all Main Attrakionz as a
group. I didn’t see them again for about four years and when I met back up with
them they were Main Attrakionz. They kept the name.
You guys mention Green Ova a lot and also release albums under the
Green Ova name, what is it?
Green Ova is a family. You know what I mean? A bunch of guys, we grew up
together and we trying to survive out here. No matter what we go through, we
have to get money and make sure we are good. So that’s basically it. When you
hear Green Ova that’s all you really need to know, get money and survive. Aint
doing stupid stuff, getting locked up, getting into a beef situation or any of
that. We are just doing us. The members of it are just Squadda B, Mondre, Dope
G, LOLO and then me. That’s the Green Ova chapters, one to five.
As far as a record label, Main Attrakionz basically started this whole
thing. If it wasn’t for them I basically wouldn’t be rapping right now, I’m
going to be honest with you. I would not be rapping.
Producer Ryan Hemsworth said in an interview that you and Main
Attrakionz were fastest working artists he knew. You went through a period of
constantly dropping new albums but you’ve slowed down recently, why is that?
[Laughs] Oh man, you ask some good questions. The time when I was recording and
dropping back to back mixtapes, I didn’t care about the mixing process. I
didn’t care about any of that. I just wanted to get the songs out, you know
what I mean? All of that backfired on me you know cause
Shady Bambino
was cool, it sounded good but
Shady Business that was just awful. That
was a half-ass album.
And then from all the blogs and the critics and everything, I learned that
it was quality over quantity. You got to make sure your songs sound good before
you put them out. I used to just put my songs out just because I did it,
instead of putting time into it. That’s why we have to slow the writing process
and make sure everything actually sounds good before we put it out for the
public.
You touch on some political themes and personal stuff in your music?
It’s just me being real man. A lot of the times when I’m in the studio, I’m in
there alone. It’s just me. I just sit in there listening to the beat for so
long and I just start thinking there’s so much going on in the world today that
shouldn’t be happening. Everything feels funny to me. Everything in the world
when it comes to the radio, the videos, everything just looks so funny to me. If
it’s funny, I just have to express myself and how I feel about it.
And my family, they go through problems as well. I don’t want to say that
when you go through so many problems you write better music but it happens ya
know?
You work with a lot of different producers?
I work with so many producers because I put my email on Twitter and everybody
hits me up with beats. And there are so many feels and styles and so many
different types of rap I can do. They are not out yet but they will be out. I
don’t like sounding the same on a track, if you get a rapper that sounds the
same on every track you get bored after a while. I love coming different and I
love trying different things because if it’s boring for the public, it’s boring
for me. So the only answer is to try something new.
You’re making a new mixtape with Deniro Farrar?
Yeah at first it was an EP, but with all the songs we got now it will be like a
project.
Deniro said you haven’t actually met in person?
Yeah, we never met. Basically I was on the internet and his manager contacted
me. He said he had a song with Deniro Farrar on it and it was the “NWO” track
with [producer] Nem270. I listened to the verse and I was like this is deep, I
should get with it. So I wrote my verse for it and after listening to the whole
song I realized me and him had the same look on what was happening in the
world, government and all of that. So we did a second song and I was like damn
this chemistry is like really building up. So it’s crazy because he sees the
same shit I see and he’s not even around me, he’s from the East Coast and I’m
from over here, the West Coast. To see other people feel the same way I do,
that’s deep. I feel like I’m not the only one. I don’t feel like I’m insane,
like damn this shit is real. So we both make music and we might as well start
this revolution. Get people to rock with us. Let’s do it.
What are the world views that you and Deniro share?
Fucked up government man. Shit isn’t fair for people. Some people starve, some
people are hungry and poor as hell and then you got the rich people who don’t
even pay for shit. Everything’s backwards in the world today man. I’m not
saying I’m going to be on the one to put shit back together, but I’m not going
to stand here and just watch it happen. I’m going speak my mind about it. I’m
not trying to be a superhero or nothing, save the world and shit, I know I
can’t do that. But at the same time, shit going on in the world is looking
stupid man.
What do you want to achieve with your career?
I want to do this long term because I love doing it. I love being able to
express myself in music and get paid for it, you feel me? At the end of the day
it’s all fun, you can have the shows, you can have the videos. I’m going to be
doing this for a long time for sure. I definitely don’t want to go to working
in a warehouse or no McDonald’s making hotdogs or hamburgers and shit. This is
definitely the real deal. Anyone that says they rap
and they don’t want to make
money off it, they lying. I for sure want to make this a career, this is cool.