Cultural Research
Jimmy Ness
Flow states, Ethnography and Skateboarding As ...
Flow states, Ethnography and Skateboarding As Therapy
Photography, Interview
Jimmy Ness
Finding Zen in Mastery: A Conversation with ...
Finding Zen in Mastery: A Conversation with Photographer Adam Marelli
basketball, Interview, Photography, Sports writing
Jimmy Ness
NBA Photographer Nat. S Butler

Another interview for the books! I spoke to NBA photographer Nat Butler while he was in hotel lockdown at the league’s playoff facility. Nat was generous enough to share some beautiful HD images and had so many good stories. It’s not often you get to have an hour long conversation with a guy who went to Shaq’s college graduation, knows Michael Jordan and has been to Lebron’s house. Nat’s been around so long that he shot the first basketball magazine I ever bought.

Feature, Newspaper Article
Jimmy Ness
Writing about Colour Theory and Masters of Tone
Writing about Colour Theory and Masters of Tone
fashion, Copywriting
Jimmy Ness
North Face Advertorial

N.O Joe Interview (UGK)

The potent knock of Scarface’s 187 raps. The blues inspired swang and bang of UGK. Though his name might not be immediately recognizable, N.O Joe helped shape Southern hip-hop. As Rap-A-Lot’s former in-house producer, the man born Joseph Jackson spread his “Gumbo Funk” sound across the globe. Like Organized Noize in their Georgia basement, Joe was inspired by his country upbringing to mix West/East Coast flavor with the influence of soul music and church instruments. The underrated Louisianan is considered among the first to add organs to rap and counts Dr Dre, Jay Z, Biggie and 2pac as fans.

Weeks after producing Scarface’s latest album Deeply Rooted with help from Spuf Don, whom Joe mentored along with Travis Scott, the production savant gave one of his most in-depth interviews. Jackson spoke beforehand of his photographic memory and said he can recall every instrument played on The Diary. But, he’s only half-joking. For almost two hours, he retold working with LL Cool J, his initial chance encounter with Scarface, meeting Mike Dean and his feelings towards J. Prince. Joe also does one of the best Pimp C impressions ever and shared memories of his close friend as well as tales of his decades behind the boards with UGK. This ain’t no 2015 listicle containing nothing but disappointment, settle in for a wealth of rap history.

Warren G Interview

The G Funk era is eternal. Dre, Snoop, 2Pac, Nate and Warren G are the holy quintet. “Smoke weed everyday” is their sacred mantra. Thirty years after Above The Law and Dre conceived Gangsta Funk, the influence continues through DJ Mustard’s minimal bounce. Kendrick and YG tried their hand at it. Quik never stopped. Rap fans recite the “California Love” chorus quicker than their national anthem. You can be anywhere in the world and theoretically know how it feels to roll through Long Beach in a Dickies suit with a bottle of Malt Liquor. I could Crip Walk before I really knew what a Crip was. My fingers involuntarily twist into W’s anytime Doggystyle plays. I still miss Nate Dogg.

Gunplay Interview

Gunplay is volatile, likeable and mildly insane. He’s also a hell of a rapper. Among his polished MMG label mates, Gunplay is the half Puerto Rican, half Jamaican wildcard, rapping like he’s throwing evidence out of the car mid-chase. And sometimes he just might be. The stories of Richard Morales Jr. are the stuff of rap legend and often eclipse the music. Gunplay robbed his accountant at gunpoint. Gunplay’s been knocked out twice on camera. Gunplay loves cocaine and fishing. Like his precursor ODB, the mythos of Morales is unparalleled.

When Gunplay told reporters between sniffs that he could quit coke any time he wanted, no one believed him. After all, this guy publicly admitted to spending £1500 a week and was filmed traveling to Columbia just to partake in the purest China White he could find. But so far, he’s kept his word. Gunplay assures me multiple times during our interview that his focus is now entirely on his career. Wrongly perceived as a Rick Ross weed carrier, he sprung into profile after the collapse of their group Triple C’s in 2009. On the strength of potent guest verses and unrestrained mixtapes, Gunplay signed a solo deal three years later with Def Jam. That same year, his aforementioned bookkeeper robbery case almost derailed any chance of a career as Morales faced life in prison. Gunplay narrowly avoided the charge due to the witness refusing to testify and has spent the last few years rebuilding his momentum.

With the long delayed release of his debut album Living Legend set for the end of the month, I spoke to the determined Miamian about his new outlook. Like Gunplay’s persona, the interview was unpredictable with his phone line and concentration frequently dropping out as he shopped with his girl for $300 Chanel perfume. We chatted about the time Gunplay pulled Rick Ross from a car wreckage, the longest he’s gone without sleeping and learning to write while sober. He also rapped for me, recalled seeing Biggie live and discussed why fans still love him.

Denzel Curry Interview

Originally published at Complex. Photography by James Harrison

Denzel Curry’s psychotropic world is a fluid concoction of 90s rap, Adult Swim cartoons, and illicit activity. The 20-year-old flows effortlessly over multi-coloured production ranging from Yeezus era beats to murky lo-fi. Within the same breath, he’ll recall experimenting with LSD, eulogise fallen comrades and shout-out Super Mario Bros. Raised in Miami’s infamous Zone 3, Curry’s music reflects an upbringing peppered with the innocence of a good home and the eye-opening violence that surrounded it.

The self-styled “Aquarius Killa” posted his debut mixtape on SpaceGhostPurrp’s website in 2011 and was invited to join Raider Klan while still in high school. His confident double-time raps and retro Memphis Horrorcore aesthetic quickly gained attention, but his parents insisted he focus on school. Curry released three projects before leaving the Klan to pursue a solo career and in 2013 dropped his debut Nostalgic 64. This year, Curry followed up with double EP 32Zel/Planet Shrooms, which bangs front to back. The projects also serve as a dedication to Denzel’s brother who was killed by a policeman’s taser and his friend Tiara Grant who was fatally shot during recording.

We caught up with Denzel before he tore shit down at his London show last week. The undeniably passionate MC discussed getting a million plays on Soundcloud, mixing art with music, why he keeps his collaborations in-house and how personal tragedy impacts his content.

Your family is from the Bahamas. Did you grow up with that culture?

I grew up in South Florida. It’s like a cultural melting pot where I come from, but my people’s are of Bahamian descent and I have cousins in Nassau on the other side that stays in the Bahamas. It’s both Bahamian on my mom and dad’s side.

You’ve been open about not being a gangsta. Your lyrics are based on your environment as well as people you know. What kept you away from the streets growing up?

My parents. Even though they had disputes and they had their problems, I would say yeah, they’re good parents. Like my moms is very independent, my father is very independent and that’s pretty much where I get it from. They always stress that you should make something [of yourself]. You don’t want to stay in the same crib until you’re like 23. I’m not trying to do that.

Young Thug - I Need Chickens

If Thugga continues to spit, mumble, and stutter artful raps at this pace, the staff at Passionweiss might get twin lip piercings to celebrate. With “I Need Chickens,” Young Thug throws out his second freely inventive single alongside Mike Will Made It in four days. Much to the annoyance of the U.S Marshals Office and Conservative Rap Coalition, the persistent rise of the skinny jeaned martian continues.

Young Thug doesn’t need extended metaphors and multi-syllabic wordplay; he barely needs English. The tropes might not change, but the vibe is on a thousand. For a joyous three minutes, Jeffrey Williams harmonizes with himself, ad-libs bird calls and slings a few rhymes about moolah. Being near incomprehensible doesn’t make it any less vital. This is music for distorting how you think rap should sound. What Thugga does in five words is more exciting than what many rappers do with an entire song.