Finding Zen in Mastery: A Conversation with Photographer Adam Marelli

Few know like artistic greatness like Adam Marelli. The New York photographer has documented master craftsman across the globe. I couldn't resist the opportunity to dig further into his brain. On this content elevator, there's a written feature below and an audio interview up-top. I can write a word or two, but this is my first time recording sound. It's not a podcast. It's an experiment. Stay for the wisdom, ignore the rookie presentation. Thanks! - Jimmy

Master Yasuhiro Hirakawa expertly moulds a knife in his Japanese studio.

Master Yasuhiro Hirakawa expertly moulds a knife in his Japanese studio.

Adam Marelli has decoded mastery. Through decades of studying craftspeople and notable artists, he's unravelled the mystique of perfecting a skill. 

Shooting maestros in their reclusive workshops enables Marelli to observe vocation honing up-close. From Japanese knife makers sharpening a 400-year-old practice to Venetian carvers chiselling wooden gondolas, Adam has a rare intimacy with excellence. 

Marelli's credentials as a builder and creative participant grant him access to sequestered workrooms. Makers guard their techniques and transfer skills to a select few. Their timeworn knowledge is the product of multiple generations and often passed through oral tradition. 

Documenting elite creators defines Adam's work as a photographer, teacher and artist.

Luckily, he's sharing the learnings for those not invited to the grandmaster's studio. 

Marelli began scrutinizing artists as a juvenile and later at NYU. He probed the biographies of Da Vinci, Michelangelo and other mythic figures for insight into their process. Seeking the key to their brilliance while attempting to hone his own, he unmasked the myth of innate talent. 

Historic maestros weren't immediately capturing the pillars of the Parthenon. They started simple and progressed slowly. 

Leonardo sketched hands a thousand times. Van Gogh drew apples, many apples. Artists weren't slogging through the 10,000-hour rule like scientific research. They enjoyed the creative process. They had fun. 

Yes, they even failed. Lighting master Caravaggio had several works rejected; the Renaissance equivalent of a public scandal. Bands make bad albums. Million-dollar statues get hidden away in cupboards. 

Bow makers at Shibata workshop just outside of Kyoto.

Bow makers at Shibata workshop just outside of Kyoto.

Despite cliched accounts of painters leapfrogging between achievements, Adam's career is closer to reality. He wasn't the born savant of Netflix biopics. As a 10-year-old, Adam was only marginally ahead of his classmates. There was no divine gift. In his own words, he had to "take some time to really suck." 

Adam also admits to a "touch and go" relationship with work. Most artists he knew were of the struggling kind. Marelli also undertook the typical hospitality jobs after college. Unimpressed with his NYU experience, his formative study was entirely unacademic. He spent ten years apprenticing with a master builder and studied under a Zen monk. 

Somehow his unorthodox path made sense. Marelli's now a multi-platform artist; working in sculpture, painting the ocean's surface, designing celestial building installations and of course, taking photos. 

Rather than further mystify the artistic journey, Adam sets the roadmap for others. His photography classes are a bright pearl in the digital sea of lukewarm content. Marelli's lucid curriculum makes the journey from rookie to adept feel less like wizardry and more like the inevitable consequence of making an effort. 

"I can just lay out a few lily-pads to get you where you want to go and then you can expand endlessly," he attests. 

Roberto Tramontin precisely shapes a Venetian gondola. His company D. Co Tramontin E Figli was founded four generation ago in 1884.

Roberto Tramontin precisely shapes a Venetian gondola. His company D. Co Tramontin E Figli was founded four generation ago in 1884.

Adam removes the pomposity from art. This ensures the formidable topic is not only understandable but enjoyable for those of us who've ever felt silly at the museum. 

He says artisans have laid a roadmap for anyone to learn from, but their expertise is camouflaged by pretension.  

"Most art books, the ones that I read in school, they were crushingly boring. You'd have to be a lunatic to really get into this stuff, they were so dry. Artists lives were anything but dry, but they were passed through this academic filter."

In the above audio , we discuss Adam's beginnings and his humble career path. We also examine what he learned capturing remote tribes in Vanuatu, the similarities between master craftsman across the globe, and his advice for pursuing mastery in our own lives. 

All photos by Adam. Check out his website here: http://www.adammarelli.com/

Educate yourself on his workshops and online tutorials: https://amworkshops.com/

Adam's YouTube tutorials live hereFollow him on Instagram too. 

Roberto Tramontin Adam Marelli-1026671.jpg

Audio credits: 

Intro California by Soyb & Amine Maxwell https://soundcloud.com/soybmusic https://soundcloud.com/aminemaxwell Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/syb-amine-california Music promoted by Audio Library https://youtu.be/aXCwXsa2T4E

Outro Beat Provided By https://freebeats.io

Produced By White Hot












NBA Photographer Nat. S Butler

Another interview for the books! I spoke to NBA photographer Nat Butler while he was in hotel lockdown at the league’s playoff facility. Nat was generous enough to share some beautiful HD images and had so many good stories. It’s not often you get to have an hour long conversation with a guy who went to Shaq’s college graduation, knows Michael Jordan and has been to Lebron’s house. Nat’s been around so long that he shot the first basketball magazine I ever bought.

A Brave Saga: The First Iranian in the NBA Draft

I love this story. Arsalan Kazemi flew from Iran to America at age 17. He was scared, alone, could barely speak English and was interrogated at customs for six hours where security asked him outright if he was terrorist.

Arsalan spent every day wanting to come home, but he persevered.

For many Americans, he was their first encounter with an Iranian. The teenager shouldered the responsibility of being a national exemplar and grew into a college star. Kazemi was the first of his nation to receive a US sponsorship, play NCAA basketball and become an NBA draftee.

Inspirational, and a cool dude too. Read the piece below.

“Arsalan Kazemi didn’t set out to be a diplomat – he just wanted to ball. Unfortunately, his heritage fixed the rules. Being an Iranian on the global stage ain’t easy. Arsalan’s career is a perpetual mosaic of triumph and resilience. Luckily, he’s forged for the challenge. Maybe that’s why his name means ‘lion.’

Kazemi’s homeland is a nation of diverse culture, rich art heritage and palatial architecture. Iran has luxuriant forests, sweeping mountains and a tradition of warm-hearted hospitality. Sadly, these qualities are veiled by conflict. Political upheaval and decades of intercontinental head-butting have been the country’s 50-year headline. 

After an inspirational college run, Arsalan returned home from the States in 2015. He’s currently plotting his next venture as Iran is ravaged by Covid-19. The infections are endless, fatalities are soaring and the basketball season has been sidelined. U.S sanctions have also shackled the economy. Any opportunity to earn a livable player salary is on a cliff-edge. Times are truly uncertain. 

As a kid, Arsalan had no clue about domestic affairs, but he did know basketball. Day and night, night and day, it didn’t matter – he would spend every second putting up shots.” Read more at Homecourt.

The NBA's Global Talent Search: From Africa to Australia

I wrote this article in partnership with the NBA to document their search for the next international champion. Head of global talent Chris Ebersole was kind enough to fill me in on the details. The league has tapped into recruits including Toni Kukoc, Enes Kanter, Marc Gasol and Joel Embiid. It was also interesting to discover who Ebersole’s favourite player is, what they look for in recruits and how committed they are to giving any person an opportunity. 

“Sport is a human pursuit. The quest for athletic mastery slices through border, regime and financial status. Whether post-soviet parish or emerging megalopolis; talent should be the only obstacle to ballin’. If you’re good, you’re good; no matter where you live. The NBA understands this. Their vast network trains and discovers hoopers from 100+ countries. With eyes on Africa, Asia and Australia, they want to reach every player, in every corner of the map. 

When the talent pool widens, the NBA only gets better. Imagine the court-pummelling contest of a league that fully scours the globe. Bol Bol and Nikola Jokić are just the beginning. There’s a trove of extraordinary swagger and strategy waiting to add horsepower to an already kinetic league. 

Far from an imperialistic crusade; the NBA’s offshore activity is people-first. They pour considerable resources into altering lives off-court. Going pro is merely a potential destination on the express-lane to upskilling mentally, emotionally and physically. NBA camps have reached more than 3000 participants, they also build facilities and support impoverished communities.

With a towering occupational title like “Senior Director of International Basketball Operations and Elite Basketball,” Chris Ebersole knows hoops. He commands a squad which consults in every major league and demographic you can think of. 

Like asking a cobbler about shoes or a cop about crime, when you speak to the head of the world’s leading basketball network, you have to ask: What makes a player good enough for the NBA?” 

Full article here

Latest Basketball Article - An Interview with a Jordanian MVP

This piece is the first in an ongoing series I pitched to tell the story of the NBA’s global influence. With help from FIBA Asia, I spoke to Jordanian basketballer Mahmoud Abdeen.

Just like every other kid in the world, Abdeen practiced Allen Iverson’s famous crossover in his backyard and stayed awake far past his bedtime so he could catch NBA games in a Middle Eastern timezone. Mahmoud is a perfect example of the globalization of a formerly American sport and he’s now using his own unique career to change the face of sports locally.

“The bustling metropolis of Amman sits within Jordan’s sun-scorched hillside. Pharaoh Ptolemy II dubbed the region “Philadelphus” after his own alias. A millennium and multiple dynasties later; a stateside settler recycled the title for a Pennsylvanian colony. He christened the future home of The 76ers; “Philadelphia,” due to its translated meaning “brotherly love.” 

Amman’s basketball ruler Mahmoud Abdeen continues the historic exchange. The MVP of Jordan’s premier league, Abdeen forged his gameplay on Philadelphia royalty. His signature crossover into step-back three was defined by hours of mimicking durag don A.I.

“[As a kid] I remember I was watching Allen Iverson,” Abdeen recalls. “I [would] go to my garden and I was trying to make his move. I had a video of him crossing over, stepping back, like repeating the shot again and again.”  

Trained via NBA highlight reel, Mahmoud’s heat-seeking jumper is a crack-shot. A hardwood sniper, the 32-year-old Jordanian meditates to the sound of swishes. He repped Jordan in the FIBA world cup twice and proudly carries the nation on his back.”

Full piece published here.