The Music Survey

First album: Space Jam soundtrack.

Space jam


I loved the movie so it made sense that I got the album too. My first introduction to Jay-Z, Busta Rhymes, LL Cool J, Method Man and D'Angelo, so not a bad start really.

This was my favourite track and I still know it word for word:

Note: Technically my first CD was actually the self-titled album by cheesy 90s group All-4-One, but my mother made me return it because it had subtle masturbation metaphors. I brought it because of the strength of this uplifting and revolutionary ballad. I was like eight or nine so give me a break.

First concert: Blindspott

I can’t remember exactly, but New Zealand nu metal band Blindspott played at my high school and I still remember the vocalist pretending to scream as a pre-recorded track played in the background.


Last album: Big L: Lifestylez ov da Poor & Dangerous

I had a big gap in my music knowledge so this album was on my to-listen list for a long time. Pretty entertaining album thanks to Big L's wordplay, despite the samey beats with shouted hooks.

Last concert: Kanye West and Jay-Z: Watch The Throne.

My first time seeing both of them and my first show at The Staples Centre. Say what you want about Ye's arrogance or the declining quality in Jay's music, but they are amazing live.

Favourite albums: A ridiculously hard question.

I’d say the holy Wu trinity: Supreme Clientele, Ironman and Only Built 4 Cuban Linx or Tool`s Anima album. Maybe throw in some Chip Tha Ripper, Vintersorg, *Shels, and B.I.G as well.

Musical guilty pleasure: More cheesy 90s R&B or power metal I liked when I was angry and 13.

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Joe Satriani interview

Joe Satriani interview

Ask any guitar groupie who the six-string king is, and Joe Satriani might be the first name that comes out of their mouth. The 55-year-old virtuoso has spent decades training and working with the best guitarists in the world. 

It all began on the day Jimi Hendrix died. A young Joseph Satriani ran up to his football coach during a training session and immediately announced he was quitting to become a guitarist.

Was it the universe's way of replacing one genius with another?

Joe says he can only guess. "In my 14-year-old brain, I felt I was losing something that I couldn't live without. That wasting my time playing sports was something I had to stop, and I had to learn how to play music so I could replace what I was going to be missing. It was a very emotional moment."

The fretboard wizard soon discovered he was blessed with a natural skill. He was playing in a band and at high school events within eight months of first picking up a guitar.

Opeth - Heritage review

3/5 Stars

Heritage is a unique cosmic ride. Opeth might have ditched the roaring death vocals and replaced drum maestro Martin Lopez, but they still can't make a bad album. 

Instead of merely paying tribute to bands like Camel and King Crimson, the scruffy Swedes have fully embraced their prog-rock roots. Mikael Akerfeldt's clean singing sweeps perfectly over a mixture of 70s psychedelica and Opeth's signature sound. 

Acoustic guitars, flutes and pianos foster a murky folk atmosphere, which provide an eerie backdrop to poetic personal lyrics. Scattered heavy sections create an abrupt change of pace, but listeners waiting to hear mind-boggling drumming and technical fretwork will be disappointed. 

Heritage also loses some impact during the last three tracks which sound like an anticlimactic jam session. 

Despite not reaching the quality of their previous work, Opeth have pushed into a brave direction, one which might make you appreciate your dad's dusty old records. 

By Jimmy Ness

Novembre interview

Novembre interview

Novembre has always been a special band. From arctic landscapes to scorching deserts, the Italian four piece manage to convey an amazing sense of atmosphere without resorting to any of the dramatic cheesiness of a cliche metal band.

Firstly Carmelo, congratulations on another quality release.

Thanks a lot mate!

Was there a specific concept or idea you guys had in mind when writing songs for The Blue?

Not really. But thinking again, this blue/cobalt picture was always in my mind. Who knows how these things work.

Recently Novembre have been booked for a tour across the UK in support of Paradise Lost, what expectations do you have from the tour and most importantly are you excited!!!?

Absolutely. We are supporting the most important band of the post-Death Metal age, the founders of the Gothic-Doom scene. It’s such an honour for us. They’re A class people, really kind, down to Earth and helpful guys. Killer tour indeed!

Orphaned Land interview

Orphaned Land interview


Israeli progressive metal band Orphaned Land released their first concept album Mabool, in 2004. After receiving rave reviews for their unique style of Oriental and Middle Eastern music, they are now working on a follow-up with prog legend Steven Wilson.  

Guitarist Matti Svatizky spoke to me about Orphaned Land’s seventeen year history, beards and the Israeli metal scene. 

Hi Matti, it’s a pleasure to interview one of the creative minds from such a great band! Before we start, I must know what happened to your beard? I thought it was pretty glorious haha.

Hey man, what’s up? Thanks for the compliments, they’ll get you everywhere! Now for the more serious business, my beard! The truth is, in band photos it may have looked cool, but in real life it turned out to be a disaster, so I really had to let it go.

For those who are new to the band, can you describe what Orphaned Land is all about?

Well, visiting our website ( is a very good idea. You can really learn a lot from there, hear sample music, see my ex-beard, see the rest of the guys etc. But to sum up what we’re about, I’d say that we play metal with ethnic touch. The metal we play is influenced by the whole metal genre and has aspects such as thrash metal, heavy metal, death metal, doom metal, black metal, progressive metal and so on. However, our music is not inspired by metal only, but from other genres as well. We consider ourselves to be open-minded music lovers.

Limp Bizkit - Gold Cobra review

1.5/5 stars 

Grab your baggy pants and turn your cap backwards, because Limp Bizkit is bringing the 90s back…. or at least they are trying to. Gold Cobra, the band’s first release in six years, boasts a return to their nu metal roots. 

Vocalist Fred Durst proves he still has teen angst at the tender age of 40, as he makes 100 references to fighting haters. 

His traditionally whiny vocals are backed by cliché metal riffs and electronic wankery, which the band’s only cool member Wes Borland can’t even save. 

Surprise track ‘Walking Away’ offers a quick reprieve before the album resumes the testosterone-fueled depravity. 

However, if you hold any childhood nostalgia for the Limp Bizkit era, you’ll enjoy the comedy. From the irony of Durst rapping on a track called ‘Douchebag’ to one liners such as “walk with the limp, it’s the pirate pimp,” Gold Cobra is hilarious, whether intentionally or not. Plus there’s always worse music, Crunkcore anyone?

By Jimmy Ness